What should have been a hit after a year of desperately missing live theatre, this double act missed the mark with tired tropes.
Following the recent Netflix hit “Emily in Paris” you might be mistaken in thinking April in Paris is a similar story of a young girl exploring the delights of the city of romance for the first time, or even a spoof of the series. Instead you’re treated to a middle-aged northern couple, stuck in their ways after 20 years of marriage until a competition prize enables them to reluctantly trade the views of Wakefield for the Eiffel Tower.
Marketed as a comedy by John Godber, a couple that can’t even be civil to each other, let alone affectionate, until they’ve consumed several bottles of wine and a drag act seems more of a tragedy. We’re supposed to laugh at Bet’s disinterest in her husband’s hobbies, and at Al’s digs at her spending habits.
Perhaps that’s a form of affection that’s only visible to the middle-aged, since the elder audience seemingly found this hour of bickering entertaining.
More comedic effect could have been gained from the culture shock of the trip – there were some genuinely endearing moments which gained a well deserved chuckle from all you can eat buffet antics, to pronunciation and menu troubles. A full hour of that would have been more wholesome entertainment.
The production itself was barebones, a French flag as the backdrop and chairs utilised as the only props, somewhat reminiscent of a gcse performance. Equally amateurish was the music, seemingly random choices (still not sure what Adele had to do with anything) and almost always awkwardly cut off mid note.
Not to criticise the acting; Sarah Earnshaw and Joe Pasquale did an excellent job of portraying a couple who can’t stand each other in a way much of the audience found hilariously relatable judging by the guffaws.
April in Paris is showing at The Belgrade until Wednesday 19th May. Book tickets here https://www.belgrade.co.uk/events/april-in-paris/
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Katie Reviews 