Paul Wills’ chaotic looking set at first glance looks like a maximalists dream, it’s only when Kevin (Steven Webb) clambers through the tiny window that the attic room takes shape – a teeny kitchenette in the corner, a pile of blankets that’s actually a bed, a Christmas tree box that operates as a table. Kevin in back in his themed childhood den; it’s the midst of covid lockdown, his boyfriend Jeremy has broken up with him and with nowhere else to stay he has returned home to isolate.
Stuck in a self-pity hole, he asks himself “What would Dolly do?”, and in a magical puff of smoke and sequins, Dolly Parton is there to guide him. Tricia Paoluccio embodies Dolly, with a soft southern drawl and a no-nonsense attitude that contrasts with Kevin’s almost endearing self-deprecation, though his wallowing occasionally grows tiresome.
Who better for him to idolise than America’s country sweetheart? In this show, Dolly almost takes on a Jesus-like presence, performing miracles such as transforming wine into water and other nifty tricks. Paoluccio captures Dolly’s bold stage presence, wit, and self-assurance, becoming the heart and soul of the show.
The musical comedy, featuring Dolly’s biggest hits like “9 to 5”, “Two Doors Down”, and “Islands in the Stream”, is performed with gusto. Webb’s surprising dance skills and the duo’s dramatic rendition of “Jolene” bring the house down. Steven Webb and Tricia Paoluccio make a fine pair, engaging the audience and inviting us in on the joke. The whole band seems to infiltrate the crowded attic with Aidan Cutler and Charlotte Elisabeth Yorke joining as peripheral characters and backup vocals, providing beautiful harmonies.
Here You Come Again was originally written by two-time Emmy award-winning comedy writer and songwriter Bruce Vilanch, along with Gabriel Barre (who also directs) and Tricia Paoluccio. It has been adapted for the UK by British playwright Jonathan Harvey. The set and costumes, designed by Paul Wills, draw on decades of iconic designs, with wig styling and colour choices showcasing distinct Dolly looks.
Although the performers can’t be faulted, the timing of revisiting the pandemic feels odd. It’s neither distant enough to be a faded memory nor recent enough to be an ongoing experience, making it uncomfortable to relive those specific emotions of a time period that many would rather forget; especially those who were worse off than Kevin.
Nevertheless, Here You Come Again is a delightful tribute to Dolly Parton, blending humour and iconic tunes. You can watch it at The Curve until 15th June 2024: https://www.curveonline.co.uk/whats-on/shows/here-you-come-again-the-new-dolly-parton-musical/
****
Katie Reviews 