After a triumphant run in London and a successful UK tour, Nikolai Foster’s “A Chorus Line” makes a grand return to The Curve. This production, a collaboration with Jonathan Church Theatre Productions and Sadler’s Wells, is a vibrant showcase of talent and storytelling that captivates from start to finish.
The show opens with 17 hopeful dancers, all vying for a coveted spot in the chorus line. In a gruelling audition process they open up to the director, Zach, and the audience, sharing their heartfelt stories, every pore magnified with a handheld camera. These narratives, based on real Broadway dancers’ experiences, offer a deep dive into the highs and lows of a performing arts career. The ensemble cast shines, with each member getting their moment in the spotlight, culminating in the iconic and dazzling finale.
Standout performances include Amy Thornton and Kate Parr as Sheila and Maggie, who, along with Lydia Bannister’s Bebe Benzenheimer, deliver a heartwrenching rendition of “At The Ballet.” Adam Cooper commands the stage as Zach, the director, balancing authority and sensitivity, encouraging the auditionees to share their stories. His chemistry with Carly Mercedes Dyer, who plays the spirited Cassie, is palpable. Dyer’s solo in “The Music and the Mirror” thoroughly showcases her strength, emotion, and fantastic vocals.
Jocasta Almgill’s Diana Morales impresses with her renditions of “Nothing” and the emotive “What I Did For Love,” where the cast joins her in a goosebump-worthy harmony. Chloe Saunders’ “Dance: Ten; Looks: Three” and Redmond Rance’s “I Can Do That” are equally delightful, highlighting their characters’ unique journeys.
The ensemble’s talent is unmistakable, excelling in both singing and dancing. Ellen Kane’s choreography offers captivating solo routines contrasting beautifully with dynamic group numbers, showcasing both the dancers’ individuality and unity. The attention to detail is evident as the dancers gradually master the opening routine, eventually coming together in perfect synchronisation for the spectacular finale, “One,” complete with stunning lighting effects, pyrotechnics, and an abundance of sparkle.
Matthew Spalding’s discreetly on-stage band is a driving force that energises every scene with infectious melodies.
The lighting design by Howard Hudson is particularly special, with carefully placed spotlights and a dazzling display at the end, while Tom Marshall’s sound design subtly but effectively captures the bustling energy of NYC, adding depth to the audition scenes.
“A Chorus Line” at The Curve is a must-see production, buzzing with energy and brimming with talent. This show runs until 13th July 2024, and tickets can be purchased here. Don’t miss the chance to experience this extraordinary celebration of the performing arts.
****
Katie Reviews 